Chasing Gods

A family’s quest to manifest and maintain love alongside intolerance.

Set in 2016, three weeks after the Pulse nightclub shooting, Chasing Gods asks how an African American Baptist family with different ideas about faith and religion find love and aim to come together when tragedy, religion, and death create divides between their own personal morals and identities. Through love and pain, they strive to find each other in a wilderness of divisions. They, like America, are lost, and don’t know how to be found.

Chasing Gods by Paris Crayton III is a story about a family, and their community, that serves as a microcosm of our polarized American society trying to make peace over radically different opinions on faith, LGBT rights, and human rights.

A heartfelt story injected with layers of humor and joy that asks If it’s possible for past mistakes to be ameliorated in the eyes of family, or do bonds become broken forever. Can we love our neighbor when it seems our neighbors have no love for us? A story that reminds us that compassion is possible.

PARIS CRAYTON III (playwright) was one of ArtsATL “30 under 30” and Atlanta Journal Constitution’s “Artist to watch.” Creative Loafing named him 2014’s “Best Local Playwright.” Critics have called him “a powerful dramatist” and praised him as “one of the most important emerging playwrights of our time.” His plays have been presented and/or workshopped by The Lark, Classical Theatre of Harlem, Aurora Theatre, Clark University, Working Title Playwrights, Stage Door Players, Rising Sage Theatre, 3 Hill Productions, Atlanta Black Theatre Festival, Beth Marshall Presents, Indianapolis Fringe Festival and more. He is an Artistic Associate at NewYorkRep.

MARKUS POTTER (director) recent direction includes Stalking the Bogeyman off-Broadway at New World Stages (Outer Critics Circle Award nomination, NYTimes critics pick), London’s Southwark Playhouse (Off West End Award nomination for best production and direction), Red Speedo by Lucas Hnath at Center Rep (Shellie Award nomination), Lost Boy Found In Whole Foods by Tammy Ryan at The Portland Stage Company, Why You Beasting by David Don Miller (Time Out NY critic’s pick), Weston Playhouse, North Carolina Stage Company, and many more. As an actor he has worked extensively with Guthrie Theatre, Long Wharf Theatre, Berkeley Rep, The Denver Center and The American Conservatory Theatre. As a commercial producer he was on the team that brought the Arena Theatre production of Eric Coble’s The Velocity of Autumn to Broadway (Estelle Parsons’s Tony Award nomination. Markus received his MFA from Columbia University, and serves as Assistant Professor of Theatre at the University of Kansas.